Support
Looper's Delight
|
Support |
|
|
Damn, sorry to hear that. My next question was going to be about working with creative commons-type organizations for protection. I know there's a demand for music, as a few of my friends have received a couple of thousand U.S. dollars to license their stuff to various commercials/television shows. It's by no means a living salary, but it helps. On Thu, Jun 28, 2012 at 10:42 AM, mark francombe <mark@markfrancombe.com> wrote: > Actually Im struggling a bit with the legality of this, I am a member of > Tono the Norwegian Perfoming Rights company, and yet I have been > licensing > my stuff in corporate films through my contracts with my film clients.. > apparently I HAVE to register my works with Tono, and then THEY will > charge > my clients... If this is the case, my clients will simple tell me NOT to > use > my own music (as they dont want to pay any additional fees in a project) > and > tell me to use freebie library music instead... There is SHITLOADS of > VERY > hight quality free music out there now, that all my colleagues use, > everything from Ambient, to Dubstep to Classical... too much infact. > Tono, > which is supposed to look out for my rights as a recording musician has > effectively removed my only chance to write music in my work... > > Bummer... > > > Mark > > > > > > On Thu, Jun 28, 2012 at 5:34 PM, mc kr <marcusloops@gmail.com> wrote: >> >> I was interesting in finding out how I could license my music for use >> in commercials/movies. I do ambient/textural stuff that I feel would >> be most appropriate for such things. >> >> Anyone work with an agency, or did people approach you? >> >> What kind of recording quality is expected? Do you have to work to >> particular standards for audio/video collaboration? >> > > > > -- > Mark Francombe > www.markfrancombe.com > www.ordoabkhao.com > http://vimeo.com/user825094 > http://www.looop.no > twitter @markfrancombe > http://www.flickr.com/photos/24478662@N00/ >