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When I work in solo, I usually use a preset setting, and tighten it up with some kind of multiband comp/limiting before amplification. As for the real-time effects, I usually improvise with non computer based real-time modulators (e.g. Lexicon Vortex) so that doesn't let me rework the settings afterwords. I try as much as possible to record the multiband comp/limiter stereo (or surround) stream, the non comp stream, and some kind of 'ambiance' miked sound from stage room. With these in hands I can then mix a 'live' master for further distribution. But more commonly I try to partner with a live engineer/composer, that reworks the sound live (including the raw loop data), but always try to record the same streams as before in any case. Cheers, Z |