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I'm not "a noise musician" myself but I have played at festivals together with such folks and they often put an all wet delay unit in the feedback path. That gives you a little extra time to react and make adjustments if the whole shebang should take off targeting cone inihalation signal levels. Greetings from Sweden Per Boysen www.perboysen.com http://www.youtube.com/perboysen On Fri, Dec 13, 2013 at 8:52 PM, Sylvain Poitras <sylvain.trombone@gmail.com> wrote: > I found some interesting information on this site: > > http://electro-music.com/wiki/pmwiki.php?n=Articles.FeedbackOrNoInputMixing > > Notice how the writer warns that some very high levels can break through > the > limiters? That's the scary bit for me... I'd use some broadcast quality > limiters that guarantee no sound level beyond what the user sets. But I > guess that would be on the pricier side of things... > > Time to visit your local music store ;) > > Sylvain > > > > On Fri, Dec 13, 2013 at 12:32 PM, Julien Gury <urbandtribe@gmail.com> > wrote: >> >> i have no limiter hardware so i have to buy one have you advice to >> choose >> a good limiter(not a 1000 bucks hardware) >> >> >> 2013/12/12 Sylvain Poitras <sylvain.trombone@gmail.com> >>> >>> I've never played with feedback, but a signal is a signal is a signal. >>> I'd put a limiter before the input of your fireface and record away. >>> Try with a cheaper audio interface if you need to build confidence >>> first. >>> Sylvain >>> >>> >>> On Wed, Dec 11, 2013 at 6:56 PM, julien <urbandtribe@gmail.com> wrote: >>>> >>>> hello i use to play with my mixer to make feedback (i put the out in >>>> the >>>> in of others pists)to make some noise. i want to record it with my >>>> soundcard(rme fireface 400) is this someone who made this cause i >>>> don't want >>>> to broke my sound card have you advices? >>>> >>>> >>>> julien >>> >>> >> >