Support |
Sounds great, I love my GR55 Wegs phone > On Dec 12, 2015, at 1:04 PM, David Gans <david@trufun.com> wrote: > > > Enjoying a modest but measurable (and short-lived) surplus of cash after > my last book advance, I treated myself to a Roland GR-55 guitar synth. > My Renaissance RS-6 has the pickup built in. > > I decided to book some studio time for my first day with it, so I could > get help from my pal Jeremy Goody in setting it up (and to force me to > really spend some time with it, as opposed to setting it up in my living > room and farting around for half an hour). We got it all configured > pretty easily, and then we spent a good deal of time figuring out the > best way to patch it into my performing rig. > > The best solution turned out to be the simplest solution: my Boss RC-30 > Loop Station has a second input, summed with the first one. So I have > the controls right on the instrument: the guitar output on one pot and > the synth output on the other. > > I recorded a few improvisations, laying down some regular guitar and > then cycling through various voices. It was very easy to make good > things happen with it. > Once I was comfortable, I put it to work on one of my favorite loop > instrumentals: "Quarter to Five (For Tina Loney)." I used the guitar to > set up the basic track, and then I laid in the three principal themes > using a flute, an oboe, and a cello. The resulting track is a little > rough; each voice has its peculiarities of response and articulation. A > couple of glisses in the cello passage tended to track strangely, > sounding almost like the tape was slowing down; I'll figure out how to > deal with that over time. But I was pretty thrilled with the overall > feel. > > Here it is: https://soundcloud.com/dgans/quarter-to-five-for-tina-loney > > > > David Gans > david@trufun.com > http://cloudsurfing.gdhour.com > > >