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Re: sound card
[talking about SBLive's crappy converters and how to avoid resampling to
48k]
>How I circumvented this problem
>(and avoided buying an expensive DAT machine in the process) was to buy a
>MidiMan FLYING COW A/D/A converter that supports
>24/96 recording, SPDIF and has balanced stereo ins and outs. It set me
>back about $350 as I remember and allows me to SPDIF everything in and out
>of the SoundBlaster live card thus (I hope I've figure out correctly)
>circumventing the SoundBlasters A/D/A converters all together.
As far as I know, this doesn't really do as much as you would
think. I mean, you are avoiding the converters, but the basic problem
still exists: the SBLive card actually (re)samples *everything* to
48KHz, even the digital inputs, regardless of the incoming frequency!
Now, this may not make much of an audible difference the first time
around, but keep doing it and a few generations from now you'll
definitely hear it.
What I've been told is that everything Creative makes is crap & to
avoid it for real work. For more info check out the archives of the
DAT-Heads Digest mailing list. YMMV & please correct if I'm wrong!
- Mike
P.S.- A real Leslie makes a sound like no other. When I first got my
147 the world turned upside down. :) Drawbacks: it's frickin' HEAVY
and needs to be run as loud as possible for that glassy crunchy
overdriven thing. Only so much dist can be added in the preamp - a
real Leslie power amp running full out is a beautiful sound to
behold. Having said that, there are decent emulators. (Motion Sound
comes to mind as a good non-digital alternative.) You don't *really*
need the total effect all the time. Sure is cool, though :)...