RE: ot: gig spam

["omjn" <eightohm@iinet.net.au>]

hi

I'm not associated with this gig but I can vouch for having used the very
process you talk of, but only in an improv jam session.  Some prepared 
loops
and also some really quick pass through recording of a clarinet and
guitarist into sound forge and then dumping these loops back into acid.  It
requires some dexterity to get something happening and its almost 
impossible
to get rapid changes (quickest between stop recording and start playing
would be say...3-5 seconds).  we didn't take it very far as the players 
kind
of went separate ways.  still fun but not for the easily PC vexed.

michael n

-----Original Message-----
From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
Sent: Friday, 6 April 2001 11:46 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: ot: gig spam



Just wondering--how do you (or anyone else) use ACID live?  Seems like it
would be a pretty "prepared audio" piece.  How much actual performance are
you capable of?  I could see using multiple outs into a mixer and then play
the mixer as an instrument--the mutes, faders, aux sends, pans, FXs, etc.
What's your set up and your method?

L




                    RA336@aol.com
                                         To:
Loopers-Delight@loopers-delight.com
                    04/06/01             cc:
                    10:22 AM             Subject:     ot: gig spam
                    Please
                    respond to
                    Loopers-Delig
                    ht





i'll be providing groove & ambient constructs
via ACID
behind avante/noise violinist Ritsu Katsumata
at Republica just off the Cornell University Campus (for anyone in Ithaca
ny)
about 9;30 pm friday the 6th april.

see:
www.ritsu.com/republica2.htm

best;
Robby Aceto