Re: the impermanence of looping

[Dan Soltzberg <d.ans@rcn.com>]

Title: Re: the impermanence of looping

In contrast, for me looping opened up recording again, as I was feeling really sick of the finicky nature of traditional studio multitrack recording. Now, I just play, and my recordings are documents of those moments. Kind of like the Japanese enso character—perfect in their imperfection.

D


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on 1/26/05 9:59 PM, mark sottilaro at marksottilaro@sbcglobal.net wrote:

> I love that aspect of looping.  To me it's so much
> about the process and the moment that recording it has
> a Heisenburg like effect on the loopage and it's never
> quite as good.  Build your sandcastle and let the tide
> take it.  Build another tomorrow.
>
> Mark
>
> --- ejyuhas <ejyuhas@earthlink.net> wrote:
>
> > Hello Dennis and all loopsters,
> > 
> > On certain days when I am inspired and a good groove
> > becomes a loop, then a
> > masterpiece in my practice room :), I often wished I
> > had run the 4-track to
> > capture the moment. But lately I've learned to "let
> > it all fade to feedback
> > and decay"...\