Support |
[Dave Stagner wrote] > >I'd say your choice of amps and speakers is highly dependent on the > >manner in which you intend to present the music. Is this for a home > >studio, or live playing? Since you're playing Stick, you're going to > >need to hit some REALLY low bass notes. There are two ways to > >approach this. One is to use a heavy-duty biamped system with big > >subwoofers to capture those low fundamentals (a Stick tuned down to > >low A produces a 27.5hz fundamental!) where typical speakers (especially > >guitar speakers) crap out. Another is to just roll off that > >fundamental octave and concentrate on a tight sound (this is why the > >old Ampeg SVT bass amps with the 8 10" speakers sounded so great. > >They rolled the fundamental right off, and just reproduced the first > >order harmonic of the low notes. The amp and speakers weren't > >overstressed and sounded much tighter). [Kim Flint] > Very interesting post Dave. I agree, the cleaner the amplification of >your > loops, the better. I had a thought about amplifying a Stick, though. >Might > be obvious to stick players, I don't know. > > Charlie Hunter plays an eight string guitar with 3 bass strings and 5 > guitar strings. He does a rather remarkable job of playing both at once, > often getting bass melodies and chords all at once. That's not too >amazing > with a good guitarist, but he manages to really make it sound like he is > two musicians. (Bass player and an Organ player oddly enough.) Part of >the > seperation comes from using seperate pickups and amplifiers for the bass > and guitar strings on the instrument. So the bass side runs through a >good > bass amp, and the guitar through a rotary speaker effect and into a good > guitar amp. Both are small and portable. Given the choice between the considerable weight and expense of a subwoofer setup and a compact 2x10 type cabinet for the bass section of my Stick, I'd probably go with the 2x10 myself. I noted that Charlie Hunter uses an Eden 2x10 cabinet for his bass sound - it sounded nice and warm enough to me. However, the fact that the Stick also offers fairly high tuned strings on the "bass" side - well into the guitar range - presents an interesting problem for Stick players who like to play big chords using both sides of the Stick. Hence an interest among a number of Stick players in using some kind of crossover so that only those high "bass" strings are processed while the low bass strings are not. A number of bass amps and preamps offer built in crossovers that may serve this purpose for Stick players. > Seems like tubes would be better for the higher strings on the stick, >since > a little bit of tube distortion would probably give a good sustain for > them. An idea I've had for some time, but still lack the funds to try, is to get a little tube amp (a Fender Pro Jr., Mesa Boogie Subway Blues, etc.) and either mic it or run it through a Red Box into a mixer, in parallel with a bass preamp and a clean guitar preamp. That way, one would have the sound of power tube overdrive available for patching into any part of a signal chain. Just a thought. Paolo Valladolid ----------------------------------------------------------------- |Moderator of Digital Guitar Digest, an Internet mailing list |\ |for Music Technology and Stringed Instruments | \ ----------------------------------------------------------------- | \ finger pvallado@waynesworld.ucsd.edu for more info \ | \ http://waynesworld.ucsd.edu/DigitalGuitar/home.html \| -----------------------------------------------------------------