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another interesting book dealing heavily with improvisation: "Forces in Motion: Anthony Braxton and the meta-reality of creative music" by Graham Lock. Braxton hasn't done any "looping" as far as I'm aware, but there is a piece on his album "Six Compositions: Quartet" which has a ostinato pattern (basically a loop) that gets passed around from one member of the quartet to another, its track 3, "Composition No. 34." In the book, he talks a bit about what he calls a "pulse track" which is a kind of repeating pattern that usually has some space within it for some improvisation, but has a very steady rhythm. I think the ways in which he manipulates these pulse tracks in his compositions may be of interest to loopers. -Jon