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>Since the CDRs are about $7 and some burn and some more costs will be >involved... $10 ea? Or $15 for those who did not send in music? > >And who would do the compilation? Ray? Yes, I can do the mastering. >I vote for the later. It takes 54 CDRs. On a 4x recorder it takes 999 >(scary, huh?) minutes to burn them. Say 1080 minutes = 18 hours with >exchange and stuff. > >You will have to be very friendly, Ray, or share the work with someone. >I am a bit off axis, but I someone sends me a package with DATs or >cassetes >or CDs, I glady compile them onto a CDR or even several. But the >reproduction does not make sense here because the import of the material >expensive. > Well, I sure don't want to burn 54 disks. 18 is a lot. I can master them and make, say, 5 sets to send to other burners, who can duplicate them down the line. If we're happy with nice 300x300 graphics, I can also print 18 inserts. If we're really getting fun, I can also print CD-R labels. Those cost a bit more, of course (I think the blank labels are around $0.50 each). >Anyone? >Should we wait for the Californian loop shows to happen to see if we >profit >from recordings there? >Or would it be a great oportunity to distribute the CDs amongst the >participants? >Or would the CDRs be a helpfull base to organize the concert, convince the >press, configure the program, prepare for the stage impros? This is a good question. I'd say let's do one round, hopefully a 2 disk set, and then think about another if the shows actually materialize.