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>>Since the CDRs are about $7 and some burn and some more costs will be >>involved... $10 ea? Or $15 for those who did not send in music? >> >>And who would do the compilation? Ray? > >Yes, I can do the mastering. Great! >>I vote for the later. It takes 54 CDRs. On a 4x recorder it takes 999 >>(scary, huh?) minutes to burn them. Say 1080 minutes = 18 hours with >>exchange and stuff. >> >>You will have to be very friendly, Ray, or share the work with someone. >>I am a bit off axis, but I someone sends me a package with DATs or >cassetes >>or CDs, I glady compile them onto a CDR or even several. But the >>reproduction does not make sense here because the import of the material >>expensive. >Well, I sure don't want to burn 54 disks. 18 is a lot. > >I can master them and make, say, 5 sets to send to other burners, who >can duplicate them down the line. Who can? Any hands up? >If we're happy with nice 300x300 graphics, I can also print 18 >inserts. If we're really getting fun, I can also print CD-R labels. >Those cost a bit more, of course (I think the blank labels are around >$0.50 each). Great for me. >>Anyone? >>Should we wait for the Californian loop shows to happen to see if we >profit >>from recordings there? >>Or would it be a great oportunity to distribute the CDs amongst the >>participants? >>Or would the CDRs be a helpfull base to organize the concert, convince >the >>press, configure the program, prepare for the stage impros? > >This is a good question. I'd say let's do one round, hopefully a 2 >disk set, and then think about another if the shows actually >materialize. Reasonable. So the first that send in get on the disc? If I send you a DAT (with two 10min. sound bits to select from) and a check of $20, is that ok? I love this proposual. Thank you a lot! Matthias