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David Kirkdorffer did a major contribution: >Kim & Loop-Folk :-) here they would say Loop-tribe >Picking up on the idea -- how about adding a special page to the >LOOPERS-DELIGHT Web-page capturing these ideas in an ongoing basis? Wow, Loopist dreams. Engineers just have to select some items to bring out new technology. Fascinating. >1. Visual reference points for where one is in a loop. > a) a waveshape would be an excelent visual representation > b) a kind of LCD "time-o-meter" spining one revolution/loop >(like divers' watches with all those fancy dials) you want a computer, really... or would you really look at such design in a one unit LCD? Or did you think of a 2 unit high machine? nono! >- sometimes it can be quite difficult to know where one is in a long >loop. >- it would help time placement of "new additions" and multiples...and >general "situational -- "where am I?"" needs... >- and maybe with two colours: Red for "that which has RECENTLY been >added" and Green for "that which has already been added" Once we go there, we might as well have a separate channel for each recording. >2. Manipulation of end-to-end connect points... Open Loop / Close Loop >- imagne a 10 second loop. Then imagine connecting two points within >that 10 seconds to create a newer shorter loop. > > 10 sec. loop: aa(start)> bb> cc> dd> ee> ff> gg> hh> >ii> jj> kk(end)> --->> aa> bb> etc > new shorter loop: dd(newstart)> ee> ff> gg(newend)> --> >dd> ee> ff> etc. > > and then connecting from cc> to hh>... etc. > >I'm half sure someone will tell me this is already available -- if only >I knew how.... For the reduction its simply Multiply. After you reduced, its a bit complicated to go back to the entire, but its possible, either with Multiply - Undo or with NextMultiply (the reduced version was done with NextMulti). Or did I get you wrong? >4 Tie-ins with all new the hard-disk recording gear >- may be helpful for loop-"boxes" to stay in the market... >- to create "an Easy Sample-Builder" capability for studios and midi >minded folk. Yes, I am trying to do this for many years, but so far, the idea was hard to come through, and the comercial success of looping gear was not convincing. >7. More versatile input sensitivity In what sense? More sensitive to connect a microphone? The LOOP delay had that. >10. Leds/lights on the Oberheim foot-controller >- For live performance, I'm not always close enough to my rack to see >what's lit-up. But I am close to the foot controller. Would be nice really. We thought the user could not afford it...