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>Does anyone really know how well the audience can >here this? How much of a difference does it make? > At some point, I set up a few loops and set them to infinite repeat. This gives me an opportunity to walk around the venue and see what the sound is like. There *is* a difference for the audience playing in stereo, but I'm not looking to give the audience a "perfect" stereo image, but rather a 3-D sonic construction. Recently I've gotten into angling the speakers towards a wall and up at the ceiling to get maximum dispersion. It gets difficult to tell exactly where the sound is coming from, particularly if I "hide" the speakers behind a chair or something. >I guess, at least, if nothing else, the musician (you) >will hear it and perhaps be more inspired... but it >seems like a lot of trouble to go to if people can't >hear it. Since I already had the necessary speakers and power amp, it wasn't that much trouble. The load-in/set-up time for two speakers vs one is miniscule in light of all the other gear I already have to load in. >Doesn't bypassing PA cause problems for the poor guy >trying to mix the band? Or are you guys playing solo? My looping gigs are usually solo, or if not, with someone else who is also packing their own amplification. A lot of gigs are in non-traditional spaces which don't have a PA (theatre lobbies, coffeehouses, building foyers). The places that have PA's are usually pleased that they don't have to hassle with it, once I explain that I understand the idea of appropriate, comfortable volume. Travis Hartnett