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Hello all, it's that time of the year again when I put pedal to the metal and do the tour thing-ey again spreading harmony and disharmony in equal measure (well maybe more of the latter) across the land. If you're in the area, it'd be great to see you! We'll be selling CD's and tapes as well, to support our travels, and we're certainly open to trades! Here's the scoop- Spin-17 Ed Chang :Electronics, Guitar, Clarinet, Tape Wreckage Motoko Shimizu :Vocals, Turntable, Toys, Electronics, Bridge Guitar PerFormIng AdulT MuSic On ChilDren?S ToyS PerFormIng ChilDren?S MuSic On AdulT ToyS SPIN-17 Mini-Tour Dates (Spring) May 30 Philadelphia, PA, 8 pm Asian Arts Initiative with OUTPLACE (Sean O?Donnell/David Forlano) May 31 Baltimore, MD, 8:30 pm The Red Room at NORMAL?s w. Jason WILLETT/John DIERKER & Evan RAPPORT/Chuck BETTIS. June 1 Richmond, VA, 10 pm Hole In The Wall w. REPULSE MONKEY (feat members of PELT) June 2 Asheville, NC, 9:30 pm Vincent?s Ear w. SKINFLICK June 3 Atlanta, GA, 10 pm The Star Bar w. GOLD SPARKLE BAND/NUZION BIG BAND June 4 Chapel Hill, NC, 8 pm Two Way Pull Records/Dr Quang?s Gallery w. IVANOVITCH June 5 Chapel Hill, 12 noon Live Radio Performance on WXYC (buy more batteries) June 6 Philadelphia, PA, 10pm The Astrocade w. HEARING TRUMPET & KNURL June 7 Trenton, NJ, 7pm ArtWorks w. GIANTS OF JAZZ SPIN-17 is a duo project that mixes improvisation with experimental composition (with a little bit ?o punk thrown in for fun). Mix together the worst records from Salvation Army, the contents of a Toys ?R? Us electronics department, some down-home reed chawin? clarinet, the evil ghost of Betty Boop, and some Ante-diluvian anvil-guitar-plunking. Bake for 5 minutes and swallow quickly. Spin-17 have been performing in the New York area for the last year and have finally put out a full-length CD of pieces to be enjoyed by young and old alike. A highlight of this new release features their take on John Cage?s ?Aria? (with a newly-generated ?Plunderphonic? mix) as well as some good, fake ?Drum & Bass? needle scratching. They?re attitude is to pay their respects to experimental music while destroying it at the same time. Whether they succeed or fail, their Stockhausen impressions (the uber-composer?s voice, not music) are a hoot.