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Sean: >>the JM is set in DELAY mode with a feedback level 1 and MIX all the way >to >>the right - ie it produces one repeat only. The signal goes from the >Left >>output to the other amp input. The signal goes from the Right output to >a >>volume pedal and back into to Right input. >[snip] >>The only drawback is that you have to spend time balancing the "input" >and >>"output" levels - about 2 o'clock and 12 o'clock work for me. And >>surprisingly, noise doesn't seem to be a major factor even though the >>signal is constantly shifting between digital and analogue. > >A cleaner solution if you can live with only 16 settings of feedback, I >would think, would be to use an expression pedal and some kind of MIDI >filter that converts continuous controller values to the appropriate >program change messages. I'm sure this would offer the same degree of control. I doubt anyone around here could discriminate between more than 16 levels of feedback! The reason I'm happiest with this system is that I seem to have a deep-rooted fear of anything programmable. No, really - I have a terror of turning up to a gig and finding my processor/MIDI filter/footswitch etc has forgotten its presets. So I get by with a bunch of pedals and my non-programmable JM. >Personally, I much prefer just turning the feedback knob to 13 or >whatever, because then I get a rate of fade that I know exactly what >it is. (I.e., I'll be playing along and think, oh, I want stuff to >fade out faster, probably at 11 or so.) I used to use the knob, but I was dissatisfied at the way in which it tracks. I'd grab it and QUICKLY turn it all the way around, hoping to go from 1 to 16 and finding it only got as far as 3. It doesn't like being turned quickly. And there's no easy way of getting from 1 to 16 - sadly the encoder won't roll over for 14-15-16-1-2 etc. You have to go all the way back. > If the continuous control >had some kind of digital readout (perhaps the plex does), that would >cover that need, but I don't see how you could reasonably do that >if you're using an analog volume pedal in the feedback loop. Whoever mentioned the visual volume, thanks! It actually should be relatively easy to build something like that into a standard volume pedal. Put a double-ganged pot in the pedal, drop a voltage across the second track and use the tap to drive an array of LEDs. You could probably source near-completed ccts from your mail-order electronics company (is that Mouser over there? It's Maplin here). Michael Dr. Michael P. Hughes, University of Glasgow, Glasgow, UK G12 8QQ --------------------------------------------------------------- Mr. Griff raised his stunted barber's pole. "And where do you think you are going with your old black bag?" Grandpa said: "I am going to Llangadock to be buried" "But you aren't dead yet, Dai Thomas" -Dylan Thomas --------------------------------------------------------------- www.elec.gla.ac.uk/~pycraft m.hughes@elec.gla.ac.uk