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I've played a few guitars with it. Yeah, I guess it was pretty impressive. Not something I'm burning to have done on any of mine. I guess I'm sort of comfortable with a lot of the intonation idiosyncracies of the guitar. I find it pretty easy to look past if the content is really happening. Take John Scofield for instance, who just about always sounds somewhat out of tune to me (really apparent when he used to play octaves a lot a la Wes), but his sound and conception is so beautiful it never bugs me. Ditto other instruments, Jackie McLean, Steve Lacy, Miles...etc. Even the greatest of classical cellists or violinists aren't dead center on every pitch. If a real sincere and passionate effort is being made to play meaningful music I find some pitch warbling is easy to forgive. For that reason I sort of look at the Feiten tuning as a bit of an unnecessary luxury at this point. No disrespect to Buzzy, who's a great player and makes some speaker cabinets that are the shit... IMHO of course, Ken R