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I have to agree with ol' Motley, who said: >Sampling is fine, just be honest about it. Give > credit to your > sources and pay for using the original artist's work. Bravo! One of my recurring day-mares involves seeing a commercial and realising that one of my Loops Of The Week is the background for it. At least I copyright my work! And soon I'll have the first set of 366 registered with BMI, though if you thought it was a pain to process the paperwork for a collection of 9 or 10 songs... well! I have to submit cassettes containing cuts, 30 seconds long each for every loop, for them all to be protected, if only in theory. Let's face it, I can't afford to police the airwaves myself, so firms like BMI and ASCAP can do it for me, if to an extent. Frankly, the whole bit with all-sampling pieces, is not much more to me than the musical equivalent of decoupage that I remember some kids used to do in Jr. High School, on their lunchboxes. One out of Six that did such business was actually interested in the Art of it - the rest used others' images because they couldn't produce them on their own. It would seem to be the same line I saw between people that can Really Draw, and those who learn to Draw. There IS a difference. There is no kind of defense as far as I'm concerned for stealing other peoples' work in this way, either. Period. Stephen GoodmanÊ -Ê It's... The Loop Of The Week! EarthLight StudiosÊ -Ê http://www.earthlight.net/Studios