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On Mon, 31 May 1999, Kim Flint wrote: > Something nobody mentioned in this thread, which seems obvious to me but >I > guess not to all you arty ambient soundscape guys, is looping the chord > progression or bassline of a tune and playing the melody or soloing over > it... I do this all the time with my Boomerang. I'll tell ya', my skills as a 'soloist' have progressed by leaps and bounds. Another use for long loops that may bear mentioning is as a compositional tool. A perfect example is this piece I've recently written with a very chromatic or at least non-diatonic chord progression as a base, making it VERY difficult for me to write a melody for it. After an hour or so of looping it and playing over it I've found a great melody and harmony to go along with it. I would've pulled my hair out trying to do this on paper and probably wouldn't have written a melody I liked half as much as what was produced through the loop. --- "If the doors of perception were cleansed everything would appear to man as it is, infinite." -- William Blake Todd Pafford galen@erols.com