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I think the real responsibility here lies with the trombone manufacturers, who should take a tip from car design, and produce trombone slides which crumple on impact. Thus absorbing the energy and minimising the risk to bystander and tromboner alike. Whilst I agree that technology makes it easier to sound like XYZ than it was when XYZ were worth listening to I still go totally green with envy when I meet someone with natural talent (and lots of it). A friend of mine, left handed guitarist playing a right handed guitar upside down (not re-strung, just upside down) was showing me a simple riff. When I made the excuse that I couldn't follow what he was playing because the guitar was upside down he simply turned the guitar over and played it again right-handed. Oh, I hated that. Jim Carter e-mail jim.carter@bris.ac.uk