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another way would be to implement a software solution. i visited some lectures at the sound design department at the technical university in berlin a year or so ago where they work on octaphonics. they showed us software for "drawing" pans between the 8 speakers. of course, these channels could contain "dry" signals or effect returns (e.g. reverb) or whatever. the composers there have done many pieces requiring this setup. unfortunately, the music they do is very intellectual - you're usually given a philosophical text to examine while listening to the piece - you know, ram the information that is sound through the transformation matrices of our brains's intrinsic perceptual encoding system. and not to forget: stockhausen was doing really great things with multisource sound back in the 60's (e.g. worldex at osaka). l8ter, rob Dennis W. Leas schrieb: > > > Hello Loopers! > > I've been experimenting with four-channel looping. That is, looping >through > four discrete output channels. Looping sounds that rotate in your sonic >space, > etc... > > How do you do four-channel reverb? Every reverb unit I'm familiar with >does > stereo at most and mono at least. Anybody doing four-channel or >surround-sound > reverberation? Any links? Ideas? > > Dennis Leas > ----------------------------- > dennis@mdbs.com