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Tim Nelson wrote: > ...To drag it a bit back ON-topic, one way in which this is relevant to > looping is in the way this phenonenon (interaction/disruption of harmonic > content) varies depending on where the combination is actually happening. > When I use a smaller looping rig in which my straight, looped and >otherwise > delayed signals are combined into one signal to come out of one > amp/speaker, it's a very different sound than when using a larger rig >where > several discrete signals are amplified separately and come out of >different > speakers placed in different parts of the room and the combinations occur > in the air acoustically. Undoubtably much of it can be attributed to > harmonic distortion (since the smaller setup usually ends up getting >pushed > a lot harder!), but there is a real difference in timbre going on >there... tim, this is a nice post. i hope the topic of comparative sensory phenomenon is not too far afield for the rest of our looping friends (your efforts in keeping it on-topic much appreciated...); i find these comparisons interesting... lance g. ps: could harmonic distortion be compared to dot gain?