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yeah, uh-huh! this's probably been discussed before, but: for those of you w/mixing consoles, there's always the mechanical/electronic 'looper', a la Toshimaru Nakamura, etc: feed the output of a single mixer channel back to its own input; then, any knob/fader/trim/etc in that channel strip becomes a 'controller' for the nature of the subsequent feedback. effects can be put in-line, as well, & the channel's output can be sent to yer looper-of-choice. fun, but: keep yer hand on the master-fader, so ya don't blow up yer speakers..... best, dt /SPLaTTeRCeLL In stores & online NOW (artist-shop, amazon, tower, cdnow, bn, etc) SPLaTTeRCeLL:::OAH (full-length CD) SPLaTTeRCeLL:::ReMiKSiS:::AH (CD / vinyl; 65 minute EP--- remixes by Charlie Clouser (NiN), Ryuichi Sakamoto, Dan the Automator, Carter Burwell, Tim Bowness(NoMan)/SPLaTTeRCeLL, Yoshihiro Hanno, Fernando Aponte, & Gareth Williams..... & 1 add'l SPLaTTeRCeLL track) On CeLLDiviSioN/75Ark: http://www.75ark.com SPLaTTeRCeLL: http://www.gaalore.com/davidtorn.nsf/Pages/soah Solid States: http://www.gaalore.com/davidtorn.nsf List site: http://www.egroups.com/group/davidtorn matthias@grob.org writes: >sure, we can make a lot of mechanically looping instruments still. >A painter friend suggested to make an endless rainmaker: >A circular tube on a bycicle wheel, maybe wind driven. >In the tube there are stones or rice and the walls are fitted with >varying tongues so it keeps changing sound while it turns... you can >nearly compose like for a music box, but its still much more >irregular and softer sounding...