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At 1:54 PM -0700 7/24/01, Simran gleason wrote: >This is where things got fun. Since I like to search out resonant spaces >(caves, doorways, ceteras) to sing in, I tend to gravitate towards >singing into the resonant spaces in a system (be it electrical or >architectural). I found myself seeking out the resonant nodes that were >missed (so far) by the black box. The volume would swell, rise to a >crescendo, and then the black box would catch on to what I was doing and >squelch my frequency. After a bit I would find another. > >The end result was a slow sussuration of barely controllable frequency >swellings. The sound guy was horrified. I was having a fantastic time. >It really felt like I was playing the room. Fantastic! Feedback can be a beautiful thing. I'm reminded of such classics as The Wolfman, Pendulum Music, and David Tudor's networks. The use of the feedback exterminator is also reminiscent of Hornpipe. -- ______________________________________________________________ Richard Zvonar, PhD (818) 788-2202 http://www.zvonar.com http://RZCybernetics.com http://www.cybmotion.com/aliaszone http://www.live365.com/cgi-bin/directory.cgi?autostart=rz