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on 9/6/01 3:34 PM, M. Steven Ginn at sginn@airmail.net wrote: I recently asked a similar question, & I think this is how it goes: The best solution is a cross fade. If that's not an option, you have to try to find "matching" points in your loop to make the start & end. Silence (or close to it) is obviously the best choice for your loop points. But patience & perseverance(both of which I often don't have enough of) might lead you to find other suitable loop points in your material. > What is the best way to get a clean loop when working with pads and > ambient sounds so that a bump isn't created at the end where a > noticeable transition happens each time the loop repeats? > > Thanks, > Steve >