RE: Looping pads and ambient sounds

["M. Steven Ginn" <sginn@airmail.net>]

But how do you look for matching points in the middle of a live gig when
you are trying to lay down the sound?
Steve

> 
> I recently asked a similar question, & I think this is how it 
> goes: The best solution is a cross fade.  If that's not an 
> option, you have to try to find "matching" points in your 
> loop to make the start & end.  Silence (or close to it) is 
> obviously the best choice for your loop points.  But patience 
> & perseverance(both of which I often don't have enough of) 
> might lead you to find other suitable loop points in your material.
> 
> 
> > What is the best way to get a clean loop when working with pads and 
> > ambient sounds so that a bump isn't created at the end where a 
> > noticeable transition happens each time the loop repeats?
> > 
> > Thanks,
> > Steve
> > 
> 
>