Support |
For those that have implied that Fripp claims to have "invented" looping, and to those that think that Fripp labeled his approach Frippertronics as some sort of ego-maniacal trademark - I think you're wrong. Why not actually research what Fripp has said on the subject himself?? It took me about 15 minutes to find this. >From a Guitar Player interview with Fripp, January 1986: GP - When did Frippertronics originate? RF - Originally, the system was introduced to me by Brian Eno. I worked with him on it for the piece of music that became No Pussyfooting, which was recorded in July 1972 and released I 1973. I began working on it on my own in June and July 1977, when I was living in New York. Frippertronics as such went public for the first time in February 1978 at The Kitchen [a New York arts and performance gallery], where I was giving a solo concert. I needed a name for it, so I came up with "Frippertronics" because it was silly. Then it went very, very public in 1979 with a four-month solo tour - two months in Europe and two in America. And it was there, actually in front of people - in record shops, pizza parlors, record offices, small cinemas, museums, all matter of places - that I began to learn to work with it pretty well. I would run the tape back and improvise on top of it. The original form was with two Revox tape recorders, but now I'm working with the Electro-Harmonix 16 second Digital Delay. It was advertised as a Fripp In The Box. It's far smaller, quicker, and easier to set up than two Revoxes. Although, the sounds one gets are quite different. The quality I nowhere near the same as the two Revoxes.