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> Från: "luca" <lucafeed@tin.it> > I suspect my first idea of looping started (near 1984) with the "freeze" > function of my first effect: a Yamaha Spx 90. 1984 was the year that also brought me into looping, thanks to a certain "Ibanez Hold Delay". And I had a cheap harmoniser as well, which I put in the effect loop of the delay. Thus, with each delay slap a new chord was created and textures built up. The effect was mind blowing for me, at that time :), and I ran away booking a festival gig on the spot. I got so inspired that I left my main instrument, the guitar (!), and learned enough tenor sax to blow some sound into that "looping rig" (thought my guitar playing sounded too traditional for the context). Then I engaged a friend guitar player to play another loopdelay stomp box. Our loopers were not synced at all but somehow it worked out anyway - on some gigs together with a third person reading poetry. I remember we were dreaming about being able to "brother sync" the machines and also had this vision of several rhythmically delayed PA systems surrounding us and the audience. The idea was to set off sound from the stage on a bouncing trip all around the venue. Never got to try this out, though (time, money and other recording deals got in the way). Funny memories to dwell on today when we all have access to 5.1, EDP and Repeater. Per Boysen Sweden