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> >experimenting at the moment in being able to change the Repeater's > >feedback level via the assignable volume pedal. Then - towards the end > >of the loop section, you can move the feedback from 90% down to 50% or > >lower - it will allow for some quite good morphing. > >This should be possible to adapt with most repeaters. > well, no: > that can only work if/when yer using one track of the repeater, as the > fdbk-ctrl will only be functional in a single, open (ie, recording) >track. > dt / s-c so, if I arm all four tracks to record, and engage an overdub, the feedback control doesn't work like I'd expect on all four tracks? Gasp!, I'd never tried this but I just assumed it would work... The lack of corectly functioning feedback control on the repeater has been my least favorite thing about it, and something that never seems to be mentioned when comparing it with the EDP. I really miss it sometimes. Somehow I think it goes with the intended audience for the repeater. A lot of today's popular music uses loop sequencing in a very un-organic way: loop1, then loop2, then loop3, back to loop1, etc. While the EDP can do this very smoothly with nextLoop, it seems like it really shines at facilitating the evolution of loop1 into loop3. Get me? The repeater is seems really good at the "AcidPro" style of loop sequencing, and not at all good at the evolution style of looping. I find myself constantly having to make a smooth volume fade myself with the faders, when I'd really rather just set that track's feedback down low and have it do it itself over a few cycles. Anyone else agree/disagree? I'd love to hear other people's ideas on using the repeater "organically." Jon