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> What are you looping when you are stereo looping? Sometimes I'll set up a stereo mic pair. I'll play a shaker or singing bowl and shift my playing position to control the panning. So I use stereo looping when I want to control the sound animation as I play the instrument. Sometimes I'll set up a quad looper with four mics. The mics are all pointed to a common center. I play a signing bowl at the center spot so you hear the rubbing stick (punja?) circling around the quad speakers. You know, the ole"listener in the bowl" illusion? ("Wish I was a Kellogg's Cornflake, Floatin' in my bowl takin' movies...") It's not stereo or quad looping but sometimes I'll experiment with a quad set-up that uses three independent loops. Two loops rotate around the quad speakers at different speeds, generally in the same direction (CW) but that can be changed as with the rotation speed, too. When the position of the two sounds coincide, the third loop is triggered for one playback cycle. This leads to many variations depending on the loop contents. Some examples: 1) Use two vehicles for the rotating loops and a crash sound for the third. 2) Use a clock (tick-tock) and snoring for the rotating loops and an alarm for the third. 3) Use two sets of footsteps for the rotating loops (male and female) and either a kiss or slap for the third. Remember, "It's a fine line between clever and stupid." Dennis Leas ------------------- dennis@mdbs.com