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Let's see, where to start?
I think I came to the festival with the idea
that looping machines were just a means to an end, like pencils or something. In
my case, I'm trying to recreate pre-composed cello compositions. So I saw myself
as being somewhat forced to use this quirky equipment only because of a lack of
willing cello-puppets. I had a distinction in my head between the cello as the
instrument and the looping device as a subservient tool. Very snobby and
classical musician of me, I know...
This is not news to any of you I'm sure, but
during the festival I realized that the looping device is an instrument that can
be played in unique and subtle ways (I also realized that I need to do some
serious practicing on this new instrument!). The performances I enjoyed the most
were those where the performer had complete mastery of his looping
"instrument" in addition to whatever other instruments he was playing.
And, in those performances a key thing happened for me: the looping technology "disappeared" and it was
all about music, which is where I like to be in general...
Enjoyed it all very much!
Zoë
To: <Loopers-Delight@loopers-delight.com> Subject: Re: Testing, my first loopmail post From: "James Pokorny" <j.pokorny@worldnet.att.net> Date: Thu, 18 Jul 2002 16:10:40 -0400 References: <008801c22e95$874bece0$0500a8c0@alfred.natoma964">008801c22e95$874bece0$0500a8c0@alfred.natoma964> >It was great meeting many of you at
Y2K2 and I really enjoyed
>all the performances . . . Hope to do it all again soon, until then, >there is cyberspace. Welcome to loopland, Zoë! As a
new list member I'm sure we'd all like to hear your impressions of the Santa
Cruz loopfest.
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