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On Sunday, July 28, 2002, at 02:00 PM, Kim Flint wrote: > Probably it was after many nights drowning their repeater sorrows at > the local karaoke bar that they got inspired to change direction to > karaoke. > HA! Now that's funny. Interesting though to see that the Repeater's "issues" come from not just software, but hardware issues. I also feel like this list is a bit of a EDP club, and a lot of the Repeater's "issues" have been focused on more than they deserve. Sure, the Repeater's clock out is sketchy. I'm not sure how hard that would be to fix. I have no idea. However, is there anything that can chase clock out there like it can? In real time? Nope. Stereo? Nope. Real time pitch shifting? Uh-uh. Why not EDP, is your processor to puny? ;) A lot of people complain about the "bump" while recording a loop. I had to go out of my way to notice it. It's really slight, and only audible when there's pretty much nothing going on in your loop, but a straight drone. A lot of people complain about the latency. It's not that bad. Put it in the effects loop of a mixer and mute the dry signal, and I swear you'll never notice it. I'd trade it's slight latency for it's higher sound quality any day. A lot of people stay it's "awkward" to use live. After becoming used to the Repeater, I kind of feel the EDP is awkward to use. Depends on your mind set. The EDP seems to have SO many insert options that it's almost overwhelming. Depends on how you work. I like to work with more simple looping options, and concentrate on what I put into the loop. I know others like to really concentrate on the kind of "live editing" that Andre has made his style. I love to hear it, but I'm not sure that's "MY BAG." Regardless, I'm totally enjoying the EDP, and especially the combo of the two. So, why am I bothering to write this about a dead machine? Conceder it an epitaph. (your welcome Lisa) We could sit around and bash the Repeater for it's fault's until the cows come home, or we can marvel at what it does do that's totally unique in our world of looping. I guess if it does all that it does with one Motorola DSP chip, then it must be a marvel of engineering. I really think that it's "imperfections" had nothing to do with it's fall, and was more the victim of the deadly combo of bad marketing and shitty management. The fact that it has died, means we'll probably not see another stereo looper for a very long time, if ever. That, in my humble opinion, is a damn shame. Mark Sottilaro