Support |
Wow, never have I heard a more succinct description of the looping process! Nice! Mark Sottilaro Dennis Leas wrote: > All the talk about right brain vs. left brain, technology vs. art, seeing > vs. hearing, MIDI balls, MIDI foot switches, etc seems oddly related, to >me. > > I am just finishing a large looping programming project, the Looper > Construction Kit, which I'm sure to talk about lots more in a few weeks. > While intensely working on it, I felt like I was in a state of mind >rather > opposite to when I improvise music. Kind of a right/left brain thing. > Programming sometimes seems all structure and discipline. Extremely low > entropy stuff, nothing left to chance. Highly goal driven activity in >that > you clearly imagine the goal then work directly towards it. As opposed >to > improvising, where I never feel like I know where I am or where I'm going > until I get there. And then I don't care *where I am now* because I'm > always looking towards the horizon. > > And there seems to be a kind of yin/yang balance between total chaos and > total order. I see this especially in our looping tools. The EDP, for > example, represents an ordering force. Even if I create total random >noise > (is there such a thing?), when I loop it, it becomes rhythmic and hence > structured. The EDP imposes a order, in particular with the new sync > features of Loop IV. > > Our loopers are like our partners. They're the law-and-order >accountants. > They pay attention to the details, freeing us from the mundane for the >more > creative work as we play. > > In the preparation phase, we expend our ordering efforts. We program our > loopers, footswitches, etc for our anticipated needs just as we train our > fingers, arms, hands, and voices. In the performance phase, we depend on > our prior work for our creative process. With technology, I can depend >on > somebody else's prior work like a fulcrum for my creative efforts. > > Time for more coffee... > > Dennis Leas > ------------------- > dennis@mail.worldserver.com