RE: One More question...

["MIKO" <m-i-k-o@attbi.com>]

Why would you NOT record as much as possible separately and them remix it
for the final musical result cinematic result?

Certainly also, though, anyone involved in the original recording must have
approval of any final edit before it is made public.

(Note/Answer if this is a riddle about souls, love, and playing with
emotions: it's not the same as if it's a discussion about music)

-----Original Message-----
From: Neil Goldstein [mailto:ngold@attbi.com]
Sent: Thursday, October 10, 2002 5:44 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: One More question...


>approach.
> >"Save loops?  Who needs to save loops?", the improvising loopist says.
> well, then!
> not *this* improvising loopist (nor any other one who records
> their output, i
> daresay).
> harrumph,
> cranky d

dt, Do you (or anyone) bother to save your loops as separate tracks, while
they are developing, before too many lines,  in Logic, etc or just record 
it
all as it goes in realtime? If so, what is your methodology?

I often press *Record* when something interesting develops, but many times
wish I would have recorded the different parts/overdubs/early development 
on
separate tracks for remixing...

Just fishin' here...

Neil