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Mark, since I too, just mentioned this in my last post, personally, I use the MC-505 which can go in and out of record on the fly while a pattern is playing, so I simply turn off the metronome completely, and play with the music. I also use this feature to pitch loops in the Repeater. Smiles, CQ At 11:44 PM 10/14/02 -0700, you wrote: >Interesting point... but I'm not sure if it's all that valid to the >audience, though certainly for the musician. My guitar signal quickly >becomes a stream of data that describes (more or less) the sound I >played. You're data does the same thing, but more symbolic nature. To >the end user (audience) it's the same, I think... However, I am very >interested in using MIDI loops, though I've not done it in a live >manner. This evening I experimented with my MC-307 sequencer with the >click turned down... but it was hard to get time info from the blinking >light. I reverted to recording a simple bass drum with a click >first, then went back in and recorded new parts. How do you do you're >MIDI loops? > >Mark Sottilaro > >On Monday, October 14, 2002, at 10:46 PM, Tim Thompson wrote: > >>> How about this? >>> >>> "Loop based music essentially involves the repetition of audio >>> samples, >>> or loops. From that basic premise looping moves off in numerous >>> directions, ... >>> >>> This is from Kim's intro on the front page of Looper's Delight, and >>> it's >>> about as inclusive and applicable of a description as I can imagine. >> >> I think the phrase "audio samples" in the definition isn't inclusive >> enough. >> I loop using MIDI data only. It triggers a synth to generate audio, >> but the thing being repeated (and manipulated) is MIDI data only. >> >> ...Tim... >> >> > > --- "The only things I really think are important, are love, and eachother. -Then, anything is possible..." http://home.earthlink.net/~thefates Please visit The Guitar Cafe. http://groups.yahoo.com/group/the-guitar-cafe