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Interesting point... but I'm not sure if it's all that valid to the audience, though certainly for the musician. My guitar signal quickly becomes a stream of data that describes (more or less) the sound I played. You're data does the same thing, but more symbolic nature. To the end user (audience) it's the same, I think... However, I am very interested in using MIDI loops, though I've not done it in a live manner. This evening I experimented with my MC-307 sequencer with the click turned down... but it was hard to get time info from the blinking light. I reverted to recording a simple bass drum with a click first, then went back in and recorded new parts. How do you do you're MIDI loops? Mark Sottilaro On Monday, October 14, 2002, at 10:46 PM, Tim Thompson wrote: >> How about this? >> >> "Loop based music essentially involves the repetition of audio >> samples, >> or loops. From that basic premise looping moves off in numerous >> directions, ... >> >> This is from Kim's intro on the front page of Looper's Delight, and >> it's >> about as inclusive and applicable of a description as I can imagine. > > I think the phrase "audio samples" in the definition isn't inclusive > enough. > I loop using MIDI data only. It triggers a synth to generate audio, > but the thing being repeated (and manipulated) is MIDI data only. > > ...Tim... > >