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well, i guess i did not describe accurately: what i could swear i saw was bill f.'s hands on the machines, gently tweaking them, not the "neck rolf" as described by many weighers-in... but hell! if i'm wrong, isn't that what endorsement deals are for? hook me up, a:c At 01:01 PM 12/12/2002 -0500, Douglas Baldwin (among many others) wrote: >Quick thoughts: a set of strings exerts about 100-120 pounds of tension >on a >neck - largely parallel to the neck, to be sure, but that's a lot of >poundage. Adding a little wobble to the pitch with your hand on the neck >is >like changing string gauge for a second - an additional shift of maybe 10 >or >15 pounds. It's also like pulling up on a tremolo bar. Not a huge >difference. Also, I've noticed that my own guitars and basses tend to >drop/rise as much as 25 cents when a major change in humidity occurs. >Also, >I've done guitar repairs for many years and I've never seen a single >instrument with damage from this technique. Also, I've been doing it to my >own guitars for almost thirty years, including the occasional >Belew-inspired >pull-back, causing the strings to "fret out" and squeal, with no apparent >damage. Also, just moving a guitar from horizontal/table position to >vertical/playing position can generate a pitch shift of 5 cents or so. So >my >belief system embraces the guitar neck as a flexible item. Mild neck >wrenching probably should'nt critical. But I am, after all, The Coyote. >Douglas Baldwin, coyote-at-large >coyotelk@optonline.net