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--- Clifford <om@Om-Studios.com> moralized: >Learn your loopers like you learn your musical > instrument- then take it to the people. I agree with your point, but at the same time, the opposite can be true. If we place too much emphasis on any one part of our musicianship, other parts can suffer. For me, the looper and the instrument(s) are all part of the same process. While there have certainly been times when my convoluted signal path has furrowed my brow, I'm probably more guilty lately of being right on top of what my loopers (and mixer and amps and processors, etc.) are doing, but realizing that I've been letting my more conventional instrumental technique slide. Which would we rather see: 1) A virtuoso instrumentalist who buys a looping device, doesn't *learn* it, and stands onstage flipping through the manual, completely distracted by it. 2) A state-of-the-art looper whose ability to provide 'upstream content' to his devices is meager. (mebbe a'cause he fergot to practice his instrument after he bought them shiny new toys...) 3) A musician whose use of tools (including his instrument and *any* other gear being used)is well-integrated. 4) Milli Vanilli. -t- __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com