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> Most of the looping in this piece was trivial, digital versions of > tape loops, but there was one section that's kind of interesting. I > was using a utility program, written by Gareth Loy, called "sfplay." > This was external to the cmusic environment and was meant as a way to > audition sound files and to find edit points. You could specify the > beginning and end points of a segment, the sampling rate, and the > number of playback repetitions. You could also specify a "nudge" > value so that you could "walk" the playback window forward and back > in time to find the edit point. I started using this technique as a > sort of performance technique, moving the playback window through a > sound file in incremental fashion. The result was a pulsating vocal > burst that migrated slowly through a spoken phrase. This sounds very ahead of its time, However my knowledge of this period in looping is still extremely vague. I must check out your web site thoroughly, your work sounds v.interesting. Hope one day, I can buy you dinner and ask you all about looping its history and your work. If you ever come to England try to get a weeks residency at Dartington College of Arts, I think they'd like you and your work a lot. The last person we had from America was DJ Spooky. Cheers Geoff