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Not soundscaping or Frippertronics (except one cut), but the Fripp/Sylvian work from the early 1990's (The First Day/Damage) was everything that the 1990's King Crimson should have been. And if you saw them live, which I did not, it evidently looked just like a 1990's Crimson show with respect to Robert Fripp. At the Lanois concert in San Francisco, incidentally, Brian Blade was more or less in darkness most of the time. Mark