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Mark writes: "Find out what turns on your student and teach based on that." I TOTALLY agree with this. I think teaching is best accomplished when the teacher is also open to learning something. A student-to-teacher exchange sets up a dynamic that invites the student to become a better learner when it is his/her turn to pick up new ideas. The challenge is that with 10 students, one teacher needs to think and teach in 10 different ways. That's hard work. David Kirkdorffer ----- Original Message ----- From: "mark" <sine@zerocrossing.net> To: <Loopers-Delight@loopers-delight.com> Sent: Tuesday, July 15, 2003 2:16 PM Subject: Re: developing musicians and a musical culture > On Tuesday, July 15, 2003, at 10:34 AM, David wrote: > > But here's my point : What high-school music teacher today can teach > > these kids how to use Reason or Live, etc.?????? I suggest THESE are > > the kinds of instuments that kids today will be using more and more to > > make their music. > > I agree. Reason is the new Casiotone. Some will flail around and > loose interest, others will be inspired to dig deeper. I think there's > something really nice and democratic about tools like these, but > they're a double edged sword. They can encourage an emphasis on music > production and not being an instrumentalist. > > This isn't new though, dulcimers tuned to a chord, jew harps and other > "folk" instruments can encourage instant gratification. Other > instruments offer a much higher form of flexibility but require > learning a more complex instrument. Look at simple musical forms like > Blues music. Learn 3 chords and you're on it. Of course it's much > more than that, but that is what I'm talking about. I'm helping my > wife learn piano and she's using a combination of piano instruction > books and pop music books. After learning the dry stuff she can at > least have fun playing the chords to "Still Haven't Found What I'm > Looking For." I think this is where most teachers fall down. Find out > what turns on your student and teach based on that. > > Mark Sottliaro >