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What's the big deal about defining loop length? Ever since I've looped with a JamMan synced to a MIDI clock I've had to preset how many beats my loop was going to be and I never, ever found it to be a limitation. In fact, I think it's a kind of nice structure. Like picking out a length of tape and then dealing with it. Mark On Monday, July 28, 2003, at 10:48 PM, Mark Hamburg wrote: > If you can forego feedback, I would say that a lot of drum machines > have > demonstrated that one can do a reasonably job of looping MIDI. What > they > generally seem to lack include: > > * On the fly loop length definition > > * Multiply, insert, etc. options while playing/recording > > I also want to do everything else while the machine is playing > including > saving patterns for later recall, switching which pattern I'm editing, > etc.. > > If you are familiar with the Roland Grooveboxes, the RPS stuff is fun > for > building pieces by adding and removing loops and effects. It's in some > ways > nicer than the simple mute/unmute tracks approach since you can play > with > where a phrase starts. But you can't build up a set of RPS phrases > live. > Instead you have to write a bunch of patterns and then assign them. > > MIDI looping shouldn't try to recreate audio looping. You can use audio > loopers for that. But it should try to recreate the live feel of > building > and evolving the material as you go. > > Mark >