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The EDP does not need stereo. Even Mr. Sottilaro might be able to be made happy without stereo. I'm not dismissing stereo as interesting -- I use stereo delays a lot -- but a stereo EDP doesn't seem critical to me. On the other hand, the EDP does limit itself by being difficult to connect. If you are working a multi-component context, at least some of those components probably are stereo, and unlike the Jamman, you can't even route stereo through the EDP. So, if you want to work with the EDP in a stereo context, you have to factor in a mixer. On the other hand, if you really want to do the Andre LaFosse stripped down, just stick the EDP in the effects loop of the amp thing, then it's a pain that the EDP is built for rack use. Yes, Andre gets by without a rack, but it's clearly not built to be used the way Andre is setting it up. You take what's already a somewhat limited market and put barriers to entry in place and the market becomes more limited and the price consequently goes higher. So, if I were redesigning the EDP, my first priorities would be either stereo throughs on the rack version or a floor processor version. Those would probably trump true stereo -- though true stereo would get me stereo threshold recording. Of course, since the entry cost for any re-design is significant. I don't know how much cheaper those would be to develop than a stereo version and the stereo version would ally the concerns of people like Mr. Sottilaro. Mark