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At 70 degrees F the speed of sound is 1129.5 ft per sec. So figure 1.1 ft per millisecond. A device like the Repeater, with a 11 msec latency will sound as if it's 12.1 feet away from you. The fact that you don't hear an electric guitar from the source means the guitar has a natural latency based on the fact that the sound source isn't in your hands. So add another 5 feed in my studio, more when I play out. My mind seems to instantly compensate for this. I wonder what makes some people so much more sensitive to this than others? Maybe you get used to it. Not a single instrument I own has 0 latency due to digital conversion or MIDI latency. The plus side is it makes my studio seem bigger to me in a subliminal way, I guess. People have always told me that I'm not "all there" so maybe that's it. I'm over there a bit. Mark On Jun 12, 2004, at 11:53 PM, David J. Grossman wrote: > > > In theory, the idea of a digitally processed and modelled guitar > signal is a > great idea. In reality, I feel that any significant latency in the > signal is > unacceptable for my purposes. Especially since, as a bass player, I > strive > to nail the beat and be in time with my drummer. That is the primary > reason > I've stayed away from the V-Bass. Before I buy one, I'd have to be > 100% sure > that the latency is completely inaudible. > > - Dave >