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There's a lot to bring up on this topic but my main trick I is to apply compression to the master. In a live looping set-up I always put a Really Nice Compressor between my looping rig and the house PA system. Threshold and ratio set up to swell reverb between notes played as well as dynamically matching hihat level against the booming of the kick. This generally dynamic sound option has a big impact on both my playing and programming and I look at it more as "part of my instrument" than as a mastering treat. Greetings from Sweden Per Boysen --- http://www.looproom.com (international) http://www.boysen.se (Swedish site) http://www.cdbaby.com/perboysen