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--- David Kirkdorffer <vze2ncsr@verizon.net> wrote: > I started by creating a very slowly evolving patch > on a Juno synth - one with the arpeggiator in use. (etc) I still do that occasionally with the arppegiators on my Juno and SH-101, modulating deep bass really slowly, and with a slow, swelling attack and long release. With the 101's sequencer I like to input a lot of rests fairly randomly with sparse bass notes in between which serve as variable pedal points; for example, I could be drone looping in A and then a really deep F or G comes swelling in. It's not exactly generative per se, but the timing of the tonic shifts is pseudo-random, since I've got it oscillating so slowly, and it does become interactive, since what I'm playing on my (manually-operated, non-auto-pilot) instrument will respond to it. Also, having the two arpeggiators looping sequences of non-identical lengths results in some interesting phase slippage. -t- __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com