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i hear you man,so far i ve looped at art expos,cultural gatherings and coffeshops which i love the only problem is that some of this gigs only happen twice a year around here and then they dont pay:-( For me is learning how to loop in a different way and getting to know how a main stream audience reacts to it, rather than sitting looking am my feet,rack efx and improvising which ive been doing so far.Recording object and hand instruments to build a groove,looping a riff on top,switching from part A to B,multiplying a passage to solo on top of it,going back to part A,doing a start stop break to throw a goofy solo and have the audience sing or clap along,doing hip hop stutters,recording a voice and singing harmony on top of it,fading it in and out,panning parts and doing all of this smooth without fucking up is proving to be a blast but also very very challenging!!But best of all i am starting tu use this loop devices to their full extent and realize why the engineers of this tools implemented all of this wonderful features!! Dont get me wrong,i played the irish pub still playing what i wanted, got paid well,got free guiness beer,free food and got away with looping yes, yes, yes! Now if i get the girls i know ive mastered it...:-) Luis --- samba - <sambacomet@hotmail.com> wrote: > One solution to the problem of playing in bars is > to not play bars.Has > anyone done looping at a wedding? Art openings are a > good possibility,though > probably not lucrative unles you can move into the > openings at museums,but > that's definately possible. For me Festival gigs and > college gigs are the > best . > > > ===== www.luis-angulo.com __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com