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Krispen, remove the Reply To address so responses to your posts don't just come to you. :) I used to have an early copy of IBM's speech-to-text program, and before moving to the UK in 2000 was having some fun getting it to make my PC obey simple one-word commands like "shutdown", "start" and "quit". It had around a 60% chance of decoding things I said and turning them into text, and, thinking of the audio diary that the doctor in "Lawnmower Man" used, I dreamed of the day that I could spout on ad nauseam to make The Great Novel or something. (Hint: it didn't happen!) After becoming the secretary of the committee for the block of flats we lived in, I was faced with the transcription of a number of tapes of meetings into minutes-listings, and attempted to use the program again. The package I'd had was of course not only trained by me to understand MY voice - but also not optimized for other than a fairly twang-free American non-accent. Imagine what kind of a mess resulted trying to decode the voices of a range of British folks, who have more differences between accents in a single city than most Americans encounter in a 100-mile radius. The only solid end results of all this was an annoyance at what I've come to wonder is as purposeful mispronounciation, and the realization that we've still got a long way to go before computers can understand by default an array of accents (perhaps more than an operating system's worth of processing for that alone!). So I sigh, and hope for the best. For now, Dave's still not here. :) S. From: "Krispen Hartung" <info@krispenhartung.com>: | Yes, I guess unless you're a fighter pilot and using cutting edge, | government funded technology, we're stuck in the waiting game. Although, | you'd think if I can utter "caaaaab" into my voice activated cell phone, | with a drunken slur and a bunch of animals screaming in the background, | and the phone successfully recognizes my voice with very minor training, | that we could get this to work for a basic one syllable command to | switch MIDI. :) | | Just dreaming...my foot is fine. | | K- | | -----Original Message----- | From: Jeff Larson [mailto:Jeffrey.Larson@Sun.COM] | Sent: Sunday, February 20, 2005 8:21 PM | To: info@krispenhartung.com | Cc: Loopers-Delight@loopers-delight.com | Subject: Re: Voice recognition | | | Krispen Hartung wrote: | > Off this topic, has anyone explored the concept of voice | > recognition-activated MIDI switching? You could wear a head set or | cell > phone-like mic that connected to the computer....when you said, | let's > say, "Ring Mod", the computer would recognize the command and | make the > MIDI change to your rack gear. | | This has been a holy grail of man/machine interfaces for a long time. | Much progress has been made, but they still tend to be a bit quirky. I'm | not familiar with any products specifically for musical use, but of the | ones that I've seen, you have to have a clean quiet signal and e n u c i | a t e v e r y c l e a r l y. Most systems require "training" where | they make you speak a few words or phrases in order to analyze the | characteristics of your voice. Once trained, they can only recognize a | similar sounding voice. The difference between male and female (pitch) | or between healthy and sick (timbre) will confuse it. When performing | live, you have the added complication of sound bleed from other sources. | | I'm sure there are pieces you could hack together that under the right | circumstances would work. But I'm not aware of anything that is | packaged and optimized for use by musicians. Even if there were, it | would still be unreliable unless you could ensure a pristine signal | (i.e. no stage microphones). | | In practice, nothing beats a dumb old foot switch. | | Jeff | | | | | |