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Not all of the places I mentioned charge admission.Duality is a quality of human mind,having to do with how neurons work.But in the realm commonly refered to as 'the real world' there is no coin with less than 3 sides,such a thing would violate what are called the laws of physics. Some events already have crowds,and do want performers to be the focus of attention-sometimes just to put the crowd in a good mood for the main act,like some political and community functions,like awards ceremonies.I've done a number of Artist in the schools programs-the crowd is literaly a captive audience,the performance is very much the focus of attention,and they aren't doing it to effect the bottom line. I've played for dance performances extensively,the dancers beleive themselves to be the ones drawing a crowd,they could just use recorded music,but live music is better artistically.It's not background,it's interactive,the music is a fundamental componant of the art being created. I've been paid to play a number of free admission,summer in the parks type gigs sponsored by local governments,the point of which is to give people the experience of being part of a vibrant community.No bottmon line or background involved.Some free gigs are sponsored by businesses who want the name exposure to be good for their businesses,but usually the organizers of these events ,the ones who solicit the business donationsare doing it because they love live music,and often are volunteers. The idea of two kinds of places could be useful for someone inexperienced needing to learn how to deal with booking gigs ,It's a good rule of thumb for the venues it fits, fine for those happy with the sort of niche.But it's a shame for artists to think only bars restaraunts and coffeeshops are the only available forums for public performance.