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 Actually, I could hard pan my mixer and send only the left channel to the 
DD-20. That kills the stereo advantage, but makes short work out of the problem. 
I just pan left the instruments that I want looped.  
However, after an evening playing with it, I'm wondering if I didn't make a 
mistake just getting started with this. It's not like I thought it would be at 
all.  
Because I want to capture parts in mid performance, it's very difficult to 
do. I did play games where I play a bass line, add a rhythm (even added 
percussion) and then jammed over that, but that is really NOT what I bought this 
for. I accompany myself fine in real time so making loops like that leaves my 
left hand doing little or nothing.  
I don't know, maybe I'll play around with it some more before I decide this 
isn't for me.  
I can't even adequately explain what it is I'm trying to do with it. I 
think the closest I can come to a description is that I want a "super 
arpeggiator" that I program in real time in performance. Like, I'm jamming 
on a groove and then capture a run on my lead synth which keeps repeating while 
I play a counterpoint to that run. Then I seamlessly replace the first looped 
run with another, etc. etc. etc.  
Is that clear or am I doing a bad job of expressing this? 
Carl 
In a message dated 5/11/2005 12:45:08 A.M. Eastern Daylight Time, 
biffoz@arczip.com writes: 
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