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At 8:17 AM -0600 6/21/05, Hartung, Kris wrote: > >....and so on. Most people play a Fmaj7 as the IV chord, but technically >it should have the #4/b5, otherwise you have a minor second interval >conflict between the mode and chord. I find that a lot of players will play most maj7 chords as lydian. Have you checked out George Russell's Lydian Chromatic concept? Edwin -- Edwin Hurwitz Boulder CO http://www.indra.com/~edwin http://www.cafemontalban.com Location Recording Services